Even Juliet’s house and yard look clearly like they were built on a soundstage, which, of course, they were. Fellini makes the most out of shooting in colour by making the sets and costumes all confections of ‘60s psychedelia. Miuccia Prada cited the title of the Fellini film, City of Women as an inspiration for her fall 2017 collection, and Rochas pre-fall 2017 collection was notably inspired by the costumes in a series of short films from Fellini, Boccaccio ’70. From the first scenes, everything in Juliet’s world is constructed. The fringed hats at Pucci resembled those seen and worn by the main character in his film Juliet of the Spirits. There’s never been a better time to look to Juliet of the Spirits for inspiration, when the most recent runway shows had major connections to the director’s work. According to IMDb, Fellini claimed to have taken LSD when making this movie. It’s a lot of interesting than one might think, with the hallucinatory flashbacks, modern day prophets, and sinning spirits, which is why it’s my favorite film of all time. Juliet of the Spirits actually has very few 'normal' moments, as it has a lot of the supernatural, weird imagery and symbolism starting about 10 minutes into the movie. There’s an amazing Nino Rota score and plenty of Lorca poetry. After finding out that her husband is cheating on her, she slips into a hallucinatory journey of self-discovery and independence. Along with Giulietta delgi Spiriti or “Juliet of the Spirits” in English, Gheraradi also designed the sets and costumes of Fellini’s “La Dolce Vita” and “8 1/2”.Īs for the film itself, it’s a luscious trip, delving deep into the fascinations and imagination of an eccentric 1960’s housewife. Giulietta has lived her life under the shadow of her beautiful family, and she has always been spiritual, superstitious and naive. The surrealistic imagery and wicked illusions created only by the master of fantasy and baroque himself, Fellini, were made even more exquisite by the set and costume designer, Piero Gherardi. “It could lay justifiable claim to being Fellini’s best.Giulietta degli Spiriti (Juliet of the Spirits) was Federico Fellini’s first film in color. Juliet of the Spirits is a fantastical showcase for Federico Fellinis vibrant imagery, starring his wife, Giulietta Masina, as the titular leading character.Juliet is a wealthy housewife who constantly fears her husband, Giorgio (), is cheating on her. “A classic of fantasy, theatricality, and sensuality.” Peter Bradshaw, The Guardian “I’ve always wanted to do an extrasensorial tale, born entirely of the imagination. “The cinema is the unique and perfect tool to explore with precision the inner landscapes of the human being,” Fellini said of his intentions. Fellini’s chic, hallucinatory feast-for-the-eyes abounds in ravishing colours and spectacular sets and costumes. Like Guido in 8½, Juliet escapes from an unpleasant external reality - here, the discovery of her husband’s infidelity - by withdrawing into a rich interior world of memories, fears, and dreams. A gift for his wife-cum-muse Giulietta Masina, this psychoanalytical exploration into a womans repressed subconscious may as well be. Often described as the feminine version of 8½, the film stars Giulietta Masina as titular Juliet, well-off but lonely wife of neglectful husband Giorgio (Mario Pisu). Starring Giulietta Masina, Sandra Milo, Mario Pisu. “The tumultuous succession of strange and beautiful images binds us in a spell as mysterious as that of a poem or a concerto.” Pierre Leprohon, The Italian Cinemaįellini the Fantasist shifts into stylistic overdrive in the eye-popping Juliet of the Spirits, the maestro’s follow-up to the fabulous 8½, and his first feature in colour.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |